The key to mixing luminous neutrals comes from the complementary colors on the color wheel.
Complementary colors reside across from one another on the wheel, and serve to enliven one another and to create the best muted neutrals and shadow tones. In simplest terms, a complementary color consists of one primary (such as red) and one secondary that falls on the opposite side of the color wheel (such as green). You can also explore other more nuanced complementary colors created with pairs of secondary and tertiary colors that are opposite on the color wheel, such as red-violet and yellow-green. There are so many combinations to try, but for now we will stick to the basic primary and secondary colors.The basic complementary pairs are :
- Yellow and violet
- Orange and blue
- Red and green
3 ways to mix luminous neutrals
For this exercise, I gathered a selection of Winsor & Newton primary color pigments (yellow, magenta and cyan). Specifically, these are the pigments I used:- Yellow: Hansa Yellow Light PY3
- Red: Permanent Rose PV19
- Blue: Winsor Blue GS PB15:3
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