The number one thing you need to remember about drawing realistic hair: don't get caught up in all those individual strands. As with so many aspects of drawing, less is more, and overworking any area can detract from the rest of the image. Instead, you want to use value and shape to define your subject's hair. Here's how.
Paul Heaston
When it comes to drawing facial features, the eyes can be challenging because, well, realistically capturing "the windows to the soul" is no easy task. And while you probably learned a simple formula when you were a child — draw a football with two circles inside for the iris and pupil — no eye actually looks like that.
Paul Heaston
The mouth is one of the most expressive features of the face, but it doesn't have to be difficult to draw. First, you want to keep a few things in mind when placing the mouth on the head:
Sandrine Pelissier
So you've mastered drawing a head — now, perfecting the facial features of your subject is a must.
Paul Heaston
For a long time, I felt nervous whenever I got client inquiries about newborn or baby photography. But after gaining some experience over the years, I realized there's no need to be intimidated. Creative baby photography doesn't require specific props, lights or instructions. It requires heart, soul, patience, time and — most of all — imagination.
Tamara Bowman
Let's be real: you can make the most gorgeous kitty drawing, but if you don't get the eyes just right, the whole thing can look a bit off. Don't be a scaredy cat — perfecting feline eyes is easy if you know how to tackle the task.
Face facts: there's more than one way to make a stunning portrait. For your next work of art, ditch the acrylic and paint in buttercream. (Bonus: you get to eat it when you're done!)
Discover the magic of stumpwork as you stitch wired slips (embroidered leaves built over a wire shape on a separate hoop). Afterwards, learn to cut the stitched wired slips from the hoop, then insert the dimensional wire leaves securely into the main embroidery to complete the design.
Jessica reviews the Modern Cameo design, including options for stumpwork or surface embroidery only, and stitching on cotton or linen fabric. Then she goes over the supplies you'll need and how to transfer the design to the background fabric.
Next, start stitching the cameo hair and face. Get Jessica's tips for making long parallel satin stitches with single strands of floss. You'll see how to work the fine details and troubleshoot any mistakes.
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